Musings

I need to write something. I’m not sure what it is yet, but I have a general feeling of unease and sadness related to my inability (mixed with my unwillingness) to create anything. This has gone on far too long. I’m largely blaming four main reasons for my recent indolence: the internet, responsibilities (the house/work), a lack of practice and a overall lack of confidence/conviction.

This is therefore about to be largely unstructured, poorly constructed inelegant ramble about why I fail to write, or do anything that could be considered creatively worthwhile, at the moment. And I kind of want it to be that way.

One of my problems is that I have ideas. Most of them are rubbish. Some of them are quite good (or could be quite good with a little commitment to their realisation) and the vast majority do not come to fruition (as least by my hand…) This means I have been predisposed to starting projects (or at least thinking them through) without really getting anywhere with them. This website is a good example.

I wanted XIST to be a hub of information about things I consider interesting or important. A little focus for any excess creativity I might have knocking about, where I can deposit things that I’ve made. The problem I have is I almost immediately didn’t have the time (or inclination) to keep it particularly up-to-date. I wanted it to be fairly consistent in terms of theme, or (at the very least) not be so confusing so as to be off-putting for people who might find it. Then I inevitably begin to put the idea of XIST (or at least other people’s potential perception of it) in the way of things I may want to create. To bastardise a phrase, the “perfect” gets in the way of the “good” and I simply stop making things, because they might end up being off-brand. I understand that this is borderline insane, but it is a definite tendency of mine.

The crazy thing is, that I don’t strictly write things (or edit videos/podcasts) for other people. Certainly, the idea of an audience is important, but (despite previous pipe-dreams) creating random stuff is never going to be the way I “make a living.” You just have to be on Facebook or Instagram or TikTok or Youtube for a couple of minutes to realise that the vast, VAST majority of created media has little value to mankind. Between AI, the addictive nature of social media, the way “content” is “monetized,” echo-chamber and gradually intensifying and radicalising analytics and the endless desire for humankind (who can be, BTW, really stupid and/or awful), there’s just a lot of things to see and effectively compete against for attention. I imagine that individuals’ attention spans have gone down, whilst the availability of distractions has gone up. This means that cat videos proliferate and it is far too easy to waste precious time scrolling utter bullshit in the vain hope that something slightly interesting might arise.

Don’t get me wrong. There are still good things being created and some of these things are on the internet. This is actually a different side to the problem… Not only do I not want to be another disembodied ghost making low-quality “content” that has less objective value than things generated by our de facto new AI overlords, but the fact that everything has been said before (and better than I could say it) is SO OBVIOUS just fills me with ennui.

Shortly after Uni, when social media was slightly less intrusive (due to smart phones not really being a thing), we used to manage the MySpace (welcome to nostalgia) and Facebook accounts of Billy Bear; a large knitted bear from my childhood who came to live in our house. In his profile “he” called “himself” a “genius art bear.” And that was enough for him to exist. I probably wanted to have that job but, in retrospect, failed at being in any way “genius,” lacked any “art” skills and was definitely not a “bear” (in any way, shape or form). But Billy Bear had confidence and ignorance and those things are definitely helpful when it comes to life.

Another reason I ostensibly write/create for myself, rather than others, is because I’m pretty convinced I don’t actually have anything particularly interesting to say. Even if it was (by some happy fortune) interesting, then someone else would be saying it better, in a better format, or more consistently. Much to my chagrin, the demographic I fit into is really boring and, historically, has controlled various narratives since the Greeks compounded patra and arkhe. Also, I find much of life quite trivial, so am not driven to focussing on any particular subjects (whatever their size).

So, whatever this is, I’m probably writing it for various reasons: to get some practice on writing in general, to break XIST away from whatever thematic prison I’ve mentally created for it and to put my acceptance of my many, many creative flaws into “solid” form. I accept that I cannot write like I used to (and even then I likely had more confidence than talent), that most of what I feel like saying is rather banal and that, despite spending so many years being educated, I have forgotten huge swathes of information, down to some pretty basic stuff.

Perhaps this is giving up.

But in a good way.

I don’t think I can completely give up making stuff, although the time restraints (and, moreover the mental capacity drain) of building a house whilst keeping a job are evidently restricting my commitment to it. I do wish I could just make stuff and it be fun and (as a side-effect) people would like it, but I guess that’s actually not that important.

Back to the XIST idea, I thought I could tie together general knowledge I have about my local area (linked to “community” -type things that go on), with information about environmentalism (because I’m not convinced too many people are really being very effective when it comes to reducing the cause of global warming) and articles/media from activities I generally enjoy. The problem is, for misguided-reasons, I have made it look like a “serious” website where information might be regularly updated, or reliable. But I’m never going to be consistent with my input, or try to find sponsor, or make money out of it… that’s just not something I’d enjoy doing. So it’s got to a point, where it just feels like another thing I’ve not finished or worked hard enough on. Which was never the point. I find the actions of the creator very frustrating in this case.

Anywho… I’ve run out of steam on this. I’ve been trying to get AI to create a picture for this post, but it really doesn’t do what I want it to. Here’s another way online media has moved on, meaning I have to decide whether to learn enough to get it to work passably, only to use said skills intermittently before ultimately losing them further down the line…. I’ve become bored of it and am just posting the last attempt. It’s not a monkey in the middle of an otherwise empty brutalist hangar smashing a typewriter with a mallet but, then again, what is?

Snow Report: Oh My God, Weather

The last week has been completely filled with weather. We’ve had big snow, big rain and snow again… at almost every level. After a very cold November with consistently low temperatures, it’s suddenly got a bit sketchy. It’s not all bad news though…

As you may have seen from my first video snow report of the season the conditions last weekend were pretty awesome for early December. Since that point there has been near-constant precipitation and a wildly-vacillating freezing level. This means there has actually been more snow at all levels, but also rain at all levels, normally followed by more snow! In terms of snow, we’re actually still very well-endowed for this point in the season and I am very much looking forward to getting out in Les Arcs tomorrow. Especially as we’re likely to see some blue skies for the first time in a while.

Here’s a precis of the official snow reports from the Tarentaise ski resorts:

Tignes

At Tignes le Lac (2100m altitude), there’s a 97cm snow base, temperatures are now consistently below 0°C, although that is likely to rise over the next few days as we see some (whisper it) clear skies! Up at 3300 metres, there’s a more-than-decent 270cm layer of the white stuff.

Nearly half the lifts are currently open, although I expect this will increase over the next few days as the weather stabilises and the ski resorts fill up with eager punters. The Toviere section is largely open, only one lift is open on the Aiguille Percee and it’s 50/50 in the Palet section. You can get over to (and back from) Val d’Isere, which is key.

Val d’Isere

Posting a very exact 77cm at 1800 metres and 184cm at 3000 metres, the conditions in ‘Val Dizzle’ are likely to be very similar to Tignes. The last snowfall is registered as today (15th Dec) and the temperatures have been low again for over 24 hours, so it’s probably pretty fresh and soft out there.

There are a higher percentage of lifts open than Tignes at present with the main closures being the Leissieres lift and tunnel (traversing the Crete des Leissieres), the Manchet Express and adjacent pistes into the Manchet valley and the little Signal lift up Les Grands Vallons. Again, expect milder temperatures and sunshine over the coming weekend.

La Rosière

Saturday is the start of the 2023/2024 ski season in La Rosiere, so I don’t have any real-time ski-lift information at the moment. However, on the Italian side of the Espace San Bernardo ski domain above La Thuile there’s a handful of lifts open already.

In terms of enneigement (or snow coverage) I also have practically zero information other than there being 10cm of fresh snow today… (they clearly don’t start measuring snow until the lifts are officially open). Fortunately, La Thuile is indicating 50cm in resort (1450m), 95cm on Chaz Dura (2600m) and 140cm at the top of the Belvedere (2700m). There’s even a suggestion that 65cm at the very top is “fresh snow.” La Rosiere is likely to have similar figures, although it’s worth taking into account La Thuile being on the less-sunny side of the hill, so it will see less sun when it finally comes out this weekend.

Sainte Foy

Despite having comparatively low base numbers (30cm at 1550m, 40cm at 2100m, 70cm at 2650m), most of the pistes in Ste Foy are open. The only closed pistes are present are the black runs, and they are all closed (all four of them).

La Plagne

The snow base numbers in La Plagne really reflect that short but very sharp period of rain we had midweek, with the low altitude depth being quite low, but 2000m and above being very good indeed. At 1250m (which, to be honest, is very low for a ski domain that is over 70% above 2000m) there’s 30cm of snow, at 2000m there’s 92cm and on the glacier (at 3000m) there’s a whopping 270cm. As with Les Arcs, La Plagne doesn’t open until tomorrow, so no lift news as yet.

Again, for a look at what the conditions were like in Plagne Centre last Saturday, check out this video. Despite the ‘up-and-down’ weather since then, I don’t imagine there will have been drastic change. There’ll be another snow report coming from the other side of Paradiski, Les Arcs, over the next couple of days, so keep an eye out for that.

Les Arcs

11cm of fresh snow (14th December) in Arc 2000. An overall snow depth of 108cm. A 45cm base in Arc 1600/1800 and 258cm atop the epic Aiguille Rouge. We are literally only halfway into December. Can’t wait to get out there tomorrow and find out exactly what’s going on…

Nightmare November: Part 28

The Cabin in the Woods (2011). A film whose starting point is very definitely The Evil Dead (and, I presume, The Evil Dead 2). It’s a very modern take on the stranded-group-of-young-people slasher flick. Trying to be as obscure as possible to avoid spoilers, there are larger, corporate forces at play when it comes to the systematic murder of the main characters.

Unlike the very many films from which it is derived, Cabin is high-budget, polished, well-scripted and populated by decent actors. Directed by Drew Goddard, written by Joss Whedon, stars Richard Jenkins, Sigourney Weaver and Chris Hemsworth… and it’s not like it’s their first film. It’s great. There are many great moments. The whole premise is super fun. The gore (whilst very well done) is incidental and therefore not the whole film. I did well to watch this towards the end of the month, as it directly and indirectly references all kinds of scenes and tropes from horror movies.

Good work, zombie arm.

What are the best bits (intentionally-vague slight-spoilers)? The very many explanations for the otherwise illogical things that happen in horror films. The betting whiteboard (particularly, following yesterday’s film, the ‘Angry Molesting Tree.’) The way the opening title appears in a classic ‘jump scare’ way, whilst apparently humdrum things are occuring on-screen. The fact it takes a very self-referential genre and turns the ‘meta’ up to 11.

What are the worst bits? Can’t really think of any. Maybe that you have to watch lots of truly awful schlock-horror to get the in-jokes. This means I’ve probably missed lots of in-jokes.

So it follows the modern trend of being meta then? Yes. And no. This is another thing I’ve probably not explored enough with horror. Horror films are a relatively closed shop, in that they really take their cues from what’s come before. Horror films seem unable to exist without referencing other horror films. I’m not sure if that is because there’s a shallower pool of resources to work with when trying to make things frightening or shocking, or if a rudimentary knowledge of what has passed before (effectively a basic understanding of film studies) is a general requirement for horror audiences. Maybe people who watch horror, watch horror and people who don’t, don’t, meaning that the audience is in some ways part of the film. The success of horror films relies on a previous knowledge of horror films. This might not be true, as the idea that “the more you put in, the more you get out” applies to practically everything. However, I’m pretty sure I’ve seen more recurring themes and direct call-backs to other movies in this month of morbid madness that in other films of different genres. Also, the use of certain actors in horror films seems to be a way of validating the horror ‘positioning’ of a film. Despite having made all kinds of films, placing someone like Jamie Lee Curtis (or Sigourney Weaver) in a horror film makes it somehow more bona fide. The Cabin in the Woods is therefore a great film, knowingly employs a vast selection of tropes (everything from “do not read the latin” to the reasons for the gratuitous nudity) and is traditionally horror in it’s referential nature.

Condemned to be Free